It’s hard to believe, but last month marked the fifth anniversary of the publication of Sworn Sword. My debut novel and the opening instalment in the Conquest trilogy, it arrived in bookshops across the UK for the first time on 4 August 2011.

Where has all that time gone? It seems like only yesterday that I was a wide-eyed young author preparing to release his first work of fiction into the wild, with little experience of literary festivals, book signings or radio interviews and everything else that comes with promoting a book, or indeed much knowledge of the publishing world in general.

My personal copy of Sworn Sword, seen here in pristine condition in August 2011. Nowadays it looks very well-travelled, having accompanied me to many events over the last few years!

Five years on, having just come back from chairing a masterclass on point of view in historical fiction at the Historical Novel Society’s biennial UK conference in Oxford, I realise not only how much I’ve grown as a public speaker, a perfomer and a teacher, passing on my wisdom and hard-won experience – but most especially how far I’ve travelled as a writer.

Four published novels, each very different to the one before it, sometimes in ways that might not necessarily be obvious to the reader, but which to me as the creator are very clear. Around 600,000 words in total, and that’s not including the many revisions, deleted chapters, alternate endings and discarded drafts that never made it into print, nor the pages upon pages of handwritten outlines, character sketches, diagrams or research notes.

And then there’s The Harrowing. I’m proud of all my books, but I’m proudest of this one, partly because it’s the kind of novel that I’ve always longed to write, but mainly because I feel it represents better than any of my other works the full extent of what I have to offer as a novelist. Of that five year period since 2011, more than half my time has been spent on this one project: researching, drafting, redrafting, re-redrafting, editing, polishing, perfecting.

I’ve adapted and in some aspects entirely reinvented my writing style, learnt to write in different voices, played around with unfamiliar narrative structures and devices, generally challenged myself to do things that I’d never attempted before, and (I believe) emerged from the experience a more complete writer.

My personal copy of The Harrowing, still looking in good condition – for now!

So thank you, readers, for your loyalty and your continued support over the last few years, for following me on Facebook and on Twitter, for reading my blog and listening to my podcasts, for turning out to hear me speak at events up and down the country, and for buying each new book that’s released and thereby following me on this exciting and most rewarding creative journey.

Last year the novelist Joanne Harris presented her writer’s manifesto, making twelve promises to her readers. In a similar way, I’d like to end this blog post by outlining my personal writing philosophy and make some pledges of my own for the next five years and beyond, namely:

• to seek new ways of reaching out to my readers and providing you with insights into my writing process;
• to continue challenging myself both technically and creatively;
• to explore alternative, sometimes unconventional perspectives, as well as different narrative forms;
• to innovate in historical fiction and push the boundaries of what the genre can do;
• never to be afraid of going against the current or of breaking conventions in the name of originality;
• ultimately, to create something the likes of which has never been seen before.

Here’s to the future, and all that it may bring!